August 21st, 2006

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Writing progress

Words written today: 2 pages hand written
Words written total: Still not worked it out. Need to type up the handwritten stuff.
Percentage complete: 1% or thereabouts
Daily average required to complete by (self-imposed) deadline: 239
Reason for stopping: The Internal Editor woke up and pointed out that I was about to use the word somehow. This is a dead giveaway that I had got Bethany into a position from which there was no way she could escape. Which meant that what I'd just written was not going to work. Fortunately, it's not so wrong that it can't be revised as I type it up.

Basically, she can't kill the caretaker in self-defence. Once he's attacked her and got his hands round her throat, she's a gonner. Therefore she has to kill him in a pre-emptive strike because she thinks he is about to attack her. And suddenly everything that I'd felt I was forcing in later scenes makes perfect sense. Bwa-ha-ha-ha-ha! My writing brain does know what it's doing. Just trust the writing brain!

Other:

I have now webbed the first 19 chapters of Legacies of War. Apologies to anyone who is reading because I have left you with something of a cliffhanger. There will be more chapters tomorrow.

I'm doing them as fast as I can, but even without reading it all properly, I need to skim each chapter to make sure there's nothing missing or weird about it. And as I do so, I usually see one or two typos. Then I have to run the macro to change underlining to italic. Then each chapter needs to be posted and the links inserted to link one to the next. It's not difficult, but it takes time and is rather tedious.
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Novel Beginnings

Beginners are traditionally supposed to always start too early, but I feel that I did always start my stories in the right place. Well, not counting the version of the One About The War that I wrote when I was 14. Though I think, for that version, the starting point was OK.

My problem has tended to be that after the beginning, everything goes too quiet and there is a lull or saggy bit until the story picks up again.
Over here green_knight is talking about beginnings.

For the record, here are some thoughts on the beginnings of my last few novels (all as yet unpublished):

The One About the War starts when Mark finds himself falling through the sea into another world. Various versions have started some time before the transition or on the beach with him being lured into riding the magical white horse. The latest version has him fighting uis way up through the water and struggling to shore. I am happy with this.

The one in desperate need of a new title begins when Matthew finds himself in a strange and different world (anyone see a pattern here?) and has had more beginnings than I don't know what. Also the mode of transition has been: a stone set in the earth; a magical gate leading into and then out of a ruined cottage; a magical gate leading out of a building as yet unspecified, possibly a modern factory unit. The version I posted for Embarrass Yourself As An Author Day begins some time before the adventure actually starts with some background and setting. If I ever came to rewrite this, I would have to decide whether this is necessary.

<href="http://helenkenyon.livejournal.com/413.html">Legacies of War</a> starts when Huw arrives in Arloros. He thinks all his troubles are over, but they are in fact just about to begin. I think that beginning is about as good a place as it could be. Can't be earlier because he'd just be trudging along the road. And if I start with the carriage crash (as a critter once suggested) the reader doesn't know about any of the characters and therefore probably doesn't care. I think it was at this point where I mastered the art of starting in the right place first time.

Moving a Mountain starts with the protags arriving to take up their new job and start their new life. It seems an obvious place. Again we don't need to start earlier and I think we need to see them arrive because that gives us their first impressions of the hostel, so it can't be later.

Revealing Secrets (WIP) did have an abortive beginning from some years ago that started far too soon. The female protag didn't actually get out of bed (*g*), but she was driving in to work, which was a whole 12 hours before the key event that drives the book. This was in order to get in information that I thought the reader needed. I've shuffled the order of things now, so the reader learns things after the killing and not before it. Only time will tell if this works.